KGF Vissers. Jack is attacked by the London gangsters and Eric, who has informed Fletcher of Jack and Anna's affair. She tells him the film was Kinnear's, and that she thinks Doreen was pulled into the production by Eric. [7], Mike Hodges recruited a band of experienced character actors to play the small supporting roles. At the funeral Jack meets his teenage niece Doreen (Petra Markham) and Frank's evasive mistress Margaret (Dorothy White); it is later implied that Doreen is Jack's daughter. The Pelaw Hussars, a local juvenile jazz band and majorette troupe, also appear and perform two numbers, When The Saints Go Marching In and Auld Lang Syne. [78] UA placed the film on the declining drive-in movie circuit,[1] where it played at the bottom of a double bill with Dirty Dingus Magee, a vehicle for Frank Sinatra. The shoot was largely incident-free and progressed speedily, despite a one-day strike by the Association of Cinematograph, Television and Allied Technicians. MGM sold distribution rights to the film in the U.S. to its future subsidiary United Artists, which promoted it poorly, amidst worries the cockney dialogue in the opening scene would be unintelligible to U.S. audiences. Hodges said that he and Trumper argued and disagreed constantly, but he still thought he was a "brilliant, brilliant editor" and was "very grateful to him for ...how much he contributed". And even if you have seen the 1971 original, not everyone can remember all the details - at least I couldn't. The next morning two of Jack's London colleagues – Con McCarthy and Peter the Dutchman (George Sewell and Tony Beckley) – arrive, sent by the Fletchers to take him back, but he escapes. Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. Get Carter director Mike Hodges on meeting Caine, Ali and Kubrick", "Get Carter: 40th Anniversary 112 minutes that revolutionised the gangster film", "The crime-genre game-changer Get Carter turns 40. Albert confesses he told Brumby that Doreen was, indeed, Frank's daughter. Kinnear agrees, sending Eric to an agreed location; however, he subsequently phones a hitman to dispose of Jack. Get Carter White had a successful career as a television actress and was particularly well known for, This page was last edited on 17 January 2021, at 07:48. A Las Vegas mob enforcer travels back to his hometown to investigate his brother's mysterious death. The remake was poorly-received by critics in the US, and was not given a UK theatrical release. [12] A censored edited version was released in West Germany on 6 August 1971, with a running time nine minutes shorter than the original. Description. [58] Films such as The Long Good Friday, Face and Lock, Stock and Two Smoking Barrels borrow from the Carter blueprint. Watch Get Carter 2000 in full HD online, free Get Carter streaming with English subtitle Someone breaks into Richie's home, looking for a crucial CD. [79][80] Michael Klinger complained in 1974 to president of UA Eric Pleskow about the lacklustre promotion of Carter, and tried to get him to relinquish the U.S. rights to the film so that Klinger could find a better distributor. With Sylvester Stallone, Rachael Leigh Cook, Miranda Richardson, Rhona Mitra. I view it as a mediocre movie, one that relies on a formulaic storyline, and poor performances from those involved. Back in town, Jack is threatened by henchmen who want him to leave town, but he fights them off, capturing and interrogating one to find out who wants him gone. [105] The film appeared on several US critics' lists of best films of the year. [58] Caine only lost his temper once on set, during the very tense and emotional day filming in Glenda's flat, when the focus puller ruined his first take. To Hodges, the car park and the cast iron bridges over the Tyne, "seemed to capture the nature of Jack Carter himself". With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden. The movie is the fight from a bad guy against the bad guys to get justice for someone who didn't do anything wrong. In the ensuing shootout, Jack shoots Peter dead. At one point Klinger and Caine asked if Hodges might work in a "chase sequence", but he persuaded them that it would draw too many comparisons with Bullitt[2] (a chase sequence between Carter and the London gangsters is mentioned in the shooting script). [78] It was also re-released in Germany and Greece in 2000 and in France in 2004. The cleaning programme was known as 'Turning the Tide'. [78] In the process of redubbing the opening, the version of the film with the original dialogue was lost. Asked in 2006, Putzu could not remember his artistic rationale for painting the floral jacket, but said he was painting a lot of flowers in designs at that time. Caine apologised immediately. [30] Hodges had also previously worked on current affairs programme World in Action, the arts programme Tempo and a 1968 children's television serial, The Tyrant King, and all these past experiences informed his approach to his film debut. The conveyor, a common sight on the East Durham coast, was known locally as 'The Flight'. Web. [108], Get Carter was a financial success, and according to Steve Chibnall its box office takings were "very respectable". [30] Get Carter movie reviews & Metacritic score: Hit man Jack Carter (Stallone), a mob enforcer in New York, returns to his hometown of Los Angeles for his brother's funeral. [100] US publication Box Office gave a cautiously approving review, describing the film as "nasty, violent and sexy all at once". [118] It was so badly received on its US release that Warner Bros. decided not to give it a UK theatrical release, anticipating the film would be savaged by British critics and fans. Michael Klinger was involved in promotion of the film in the UK, using the experience from his background as a distributor to conduct a strong advertising campaign. As he goes to throw his shotgun into the sea, he is shot in the head from a distance. (I think there is just about two or three movies about Jesus, and nobody cares about the remakes). [93][94] Jack's partner Con McCarty is restless, apparently about their boss Les Fletcher, whose wife had an affair with Jack. 5 of 9 people found this review helpful. [50][51], Principal photography took place in the north east between 17 July and 15 September 1970. Apparently there was a Get Carter appreciation club that was trying to get a preservation order put on the car park in Gateshead and Quentin Tarantino was in it. [126], This article is about the 1971 film. Klinger was worried that the debut director might be overwhelmed with too many options, but Hodges said he and Atkinson got on very well.[2]. Although it was not made available on home media until 1993, Get Carter maintained a cult following, and endorsements from directors such as Quentin Tarantino and Guy Ritchie led to the film earning critical reappraisal. [35], Klinger contacted Hodges on 27 January 1970 with a copy of Jack's Return Home and contracted him[36] to direct and adapt the screenplay, paying him a flat fee of £7,000 for his services. The story is based upon the original where Carter (Stallone) who is an enforcer for a gangster returns home to his brother’s funeral. Tailing Eric leads him to the country house of crime boss Cyril Kinnear (John Osborne). He telephones Kinnear in the middle of a wild party, telling him he has the film and makes a deal for Kinnear to give him Eric in exchange for his silence. But that's not the movie. When the film credits were printed in the Radio Times and TV Times, Howard was also trimmed. He is given the name "Brumby". [110] In October 2010 the critics from The Guardian newspaper placed the film on their list of "Greatest Films of All Time", placing it at number 7 in the 25 greatest crime films. He returns for the funeral of his brother Richard "Richie" after a car crash during a storm, atypical of the careful house-father. Hodges chose the beach for its bleak, dark atmosphere but when he returned to shoot the scene he found it bathed in bright sunshine, unsuitable for the sombre conclusion he was hoping for. [31], Klinger had been approached in 1969 by another producer, Nat Cohen, to make films for Metro-Goldwyn-Mayer (MGM). As well as Telly Savalas, names posited by Klinger and studio executives were Joan Collins, and someone Hodges described as "the Canadian lead actress in TV's Peyton Place", which most probably means Barbara Parkins. Rated R for violence, language, some sexuality and drug content, Stephen Dorff & Darren Mann in Mma Film 'Embattled' Official Trailer, Producer-Writer David McKenna Inks With APA, Rachael Leigh Cook on Producing Her Own Netflix Rom-Com, 21 Years After ‘She’s All That’, Favorite Movies that were released in 2000. At this time Klinger's friend Robert Littman had been appointed head of MGM Europe and so Klinger took his proposal to him. Hodges and Caine, the latter of whom served as a co-producer, had ambitions to produce a more gritty and realistic portrayal of violence and criminal behaviour than had previously been seen in British films, with Caine incorporating his knowledge of real criminal acquaintances into his characterisation of Carter. Directed by Stephen Kay. [114], Warner Bros., which holds the rights to the pre-1986 MGM library, produced a remake of Get Carter in 2000 under the same title, with Sylvester Stallone as Jack Carter. As Jack leaves, Eric warns him against damaging relations between Kinnear and the Fletchers. [77] Promotional shots and poster artwork exist from the film showing Carter holding a pump action shotgun; in the finished film the only shotgun used by Carter is a double-barrelled shotgun, which Carter finds on top of his brother Frank's wardrobe. [1] Despite this, the film turned a respectable profit in the UK. The musicians recorded the soundtrack live, direct to picture, playing along with the film. As Chibnall writes .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, The immediate consequence was the loss of the insights into Carter's motivations provided by his memories of boyhood and his relationships with brother Frank and delinquent gang leader Albert Swift. [75] Jonny Trunk of Trunk Records—a long-time aficionado of the film and its history—has observed that the floral pattern of Carter's jacket is taken from the distinctive pillow and matching sheet design from the bed in the scene where Britt Ekland writhes naked whilst on the phone to Jack. [55] At the advice of Richard Lester, Hodges and his assistant director stayed at a separate hotel to the rest of the cast and crew, which enabled him to have some respite from the production after the shooting day was done. ‎Mira tráileres, lee reseñas de críticos y otros usuarios y compra Get Carter (2000), dirigida por Stephen T. Kay, por $5.99. [29] The project went from concept to finished film in just 10 months. The remake was compared unfavourably to the original by the majority of reviewers. [41], Locations along the east coast of England had been scouted by Hodges and Klinger in the spring of 1970, to find a landscape that suggested a "hard, deprived background". Wild Hammond and Drum Duo with James Mackie (ex 'Selecter' and 'Madness') on organ and John Elles on drums. The Finnish rock band Laika & the Cosmonauts cover the film's theme on their 1995 album The Amazing Colossal Band. Michael Caine co-stars in this film as a … Jack lies dead on the shore with the waves beginning to lap up against him. [5] In 1999, Get Carter was ranked 16th on the BFI Top 100 British films of the 20th century; five years later, a survey of British film critics in Total Film magazine chose it as the greatest British film. [30] MGM agreed a reasonable but below-average budget of 750,000 (there is some dispute as to whether this figure refers to dollars or pounds)[2] for the production. Get Carter Year 2000 Genre Crime Action Drama Thriller Type Movies IDMB rating 5.2 (32207 votes) Netflix rating 5.2 Metacritics rating 24.0 Rotten Tomatoes rating 11.0% Directors Stephen Kay Actors Sylvester Stallone, Rachael Leigh Cook, Alan Cumming, Miranda Richardson, Michael Caine, John C. McGinley, Mickey Rourke, Rhona Mitra [52][53] Asked to comment on what he was aiming for in the look of the film, cinematographer Wolfgang Suschitzky said "The camera work on it... it was very influenced by Mike Hodges who has a very good eye for setups and he of course conferred with his operator and myself, but he influenced all of us, and much of the good look is due to him, I confess. Information extracted, Jack fatally stabs Albert. When his brother dies under mysterious circumstances in a car accident, London gangster Jack Carter travels to Newcastle to investigate. $5.99 Buy HD. Get Carter is a 1971 British crime film written and directed by Mike Hodges and starring Michael Caine, Ian Hendry, Britt Ekland, John Osborne and Bryan Mosley. [90] He thought the general stance of British critics "was to admire the film's power and professionalism while condemning its amorality and excessive violence". [116][117] The consensus opinion of critics on Rotten Tomatoes was that it was "a remake that doesn't approach the standard of the original, Get Carter will likely leave viewers confused and unsatisfied. Overview System Requirements Related. [7][38] Hodges thoroughly researched the local Newcastle crime scene, adapting the script to make use of settings and incorporating elements of his research into the story. Richard Weaver in Films and Filming praised the realism of the film, describing it as "crime at its most blatant",[93][96] while George Melly writing in The Observer confessed to vicarious enjoyment of it, but admitted it was "like a bottle of neat gin swallowed before breakfast. The first remake was George Armitage's 1972 film HIT MAN. Jack chases Eric along a beach. [65][66] Budd described the experience as "uncomfortable, but it sounded pleasant". On IMDb Get Carter's average rating is 7.6 based on 12,329 user votes. Get Carter (2000) 2000 102 minutes. by Burton Lane and Ralph Freed,[12] a song more associated with glamorous Hollywood films than the backrooms of Newcastle pubs. Get Carter is therefore a much more socially conscious film than any of its modern counterparts. Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. [91] However, although by 2012 the number of votes cast had increased tenfold, the ratio of female to male voters had not changed greatly, falling slightly from 2002, dropping to nearly 5% (526 out of 9566 voters who gave their gender were women). As Eric and Con escape, they push the sports car into the river unaware that Glenda is in the boot. Oscar and Golden Globe-nominated superstar Sylvester Stallone ("Cliffhanger," the "Rocky" franchise) stars as a vengeful mobster who scours the underworld to avenge the murder of his brother. The film's music also enjoyed its own resurgence in popularity, as it tapped into a 1990s interest in vintage film soundtracks. In the original, directed by Mike Hodges (CROUPIER), Michael Caine was Carter. The significance of the double-barrelled shotgun as Carter's choice of weapon (which in the novel symbolises family ties and Carter's memories of more innocent times hunting with his brother) was lost in the film adaptation. [111] In the accompanying poll conducted amongst Guardian readers, it was voted fifth. Among those trying to "get Carter" is Con (John C. McGinley), another enforcer from Las Vegas.GET CARTER is the second remake of the bleak and gritty 1971 British thriller of the same title. After watching their respective partners die, a New Orleans hitman and a Washington, D.C. detective form an alliance in order to bring down their common enemy. The film was released in the United States on October 6, 2000. Usually we get all flash and no humanity, lots of fancy camera tricks but no feel for the criminal strata of society". He's tough and ruthless, but very quiet and charged with a terrible irony". Roger Ebert was less reserved in his praise, writing that "the movie has a sure touch". [30] Klinger had seen Mike Hodges' television film Suspect (1969) and immediately decided he was the ideal candidate to direct his new project. $2.99 Rent HD. Forcing Glenda into the boot of her car, Jack drives off to find Albert. Godfrey Quigley was cast as Eddie, a colleague of Frank Carter's. [119] Elvis Mitchell in The New York Times wrote "it's so minimally plotted that not only does it lack subtext or context, but it also may be the world's first movie without even a text". The technical complexity was compounded by the variation in light coming through the windows, and Osborne's whispered delivery[48] which made microphone placement difficult. Disaster in a New York tunnel as explosions collapse both ends of it. 2000 R 1h 42m DVD. Andrew Spicer has written that "he [Klinger] sensed its potential to imbue the British crime thriller with the realism and violence of its American counterparts". [2], In 1969, producer Michael Klinger devised plans for a gangster film to capitalise on public interest in the British criminal underworld after the Kray Twins' convictions. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Kevin Brennan appears as Harry the card-player. Someone hired goon Thorpey to make Jack return to Las Vegas. Also lost was the backstory of Carter's dealings with Eric Paice during their time as rival gangsters in London, in particular, Eric's violent treatment of Carter's lover Audrey (Anna in the screenplay) the memory of which fuels Carter's hatred.[38]. He also noticed a substantial increase in women voting on the film in the eight months leading up to April 2002. [38] As Ted Lewis had not specified where his novel was set, Hodges felt free to relocate the story[39] to a place he was familiar with, considering Grimsby, Lowestoft, Hull and North Shields[2] before deciding on Newcastle Upon Tyne. He waited hours until the sun began setting to capture the overcast shadowy lighting seen in the film. [32] In financial trouble and shutting down its British operations, MGM was in the process of closing its British studios at Borehamwood[33] and was looking to make smaller-budget films to turn a profit. It also performed strongly when moved to the ABCs in Edgware and Fulham Road. Nearly 30 years after GET CARTER and its American cousin HIT MAN there was another version of the movie and/or its source novel, Jack’s Return Home by Ted Lewis. Carter's killing of Brumby[40] and his own assassination were further alterations from the novel, emphasising the film's parallels with revenge tragedy[38] and Carter's role as what Geoff Mayer calls "the moral agent... a "knight" forced to dispense his own sense of justice in a corrupt world". For years the version shown on British television was the redubbed American cut. [115] Mickey Rourke plays the villain Cyrus Paice. In 2000 it was remade with Sylvester Stallone and included Caine. Get Carter suffered in its promotion due to MGM's financial problems and the declining British film industry of the period, which relied increasingly on US investment. Hodges promised he would make it up to him and cast him in Carter, but his name was missed off some of the original prints. Add to Wishlist. Soderbergh said he envisioned The Limey as "Get Carter made by Alain Resnais". [88] It is available from the Warner Archive Collection as a Made on Demand (MOD) DVD-R or a download, with the same extras as the 2000 release, although with only two trailers and this time in 16:9 ratio. It was simply a part of the long process of exploiting MGM's back catalogue in the run-up to Christmas". He forces Eric to drink a full bottle of whisky as Eric had done to Frank, then beats him to death with his shotgun. With Michael Caine, Ian Hendry, Britt Ekland, John Osborne. [106], On Rotten Tomatoes, the film has an approval rating of 84% based on 32 reviews. Mike Hodges explained that Howard was an extra in his TV film Rumour, and the director gave him a line to say, but another extra was wrongly credited. [36] His background at World in Action had made him accustomed to making films based on hard investigation and this informed his approach to Get Carter. One hero tries to help the people inside find their way to safety. [81], The film did not encounter many censorship problems, although the scene where Carter knifes Albert Swift caused concern for the censor John Trevelyan. As with Hit Man, the film credited Ted Lewis' Jack's Return Home as its source, not Hodges' film, and again it contains scenes which are directly borrowed from the original, such as the opening train ride. [69], The film includes other music which is not included on the soundtrack LP. [42] Hodges described how wandering alone through the upper structure, he realised how the different levels could be used to reveal the hunter, Carter, and the hunted, Brumby, simultaneously but without either being aware of the other – adding to the suspense. The majority of the music in the film was composed by Roy Budd, a jazz pianist and composer, who had previously worked on soundtracks for Soldier Blue and Flight of the Doves. [7] Newcastle was selected after Hodge's first choice of Hull proved to be unsuitable. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element.[4]. Join Facebook to connect with Get Carter and others you may know. [35] The film was shot in "Metrocolor",[12] which was MGM's trade name for films processed at its Eastmancolor laboratory. Get a sneak peek of the new version of this page. Someone breaks into Richie's home, looking for a crucial CD. For other uses, see, 1971 Mike Hodges film starring Michael Caine. Written by [107] A woman entices a bomb expert she's involved with into destroying the mafia that killed her family. Also, reviews are mixed concerning Stallone's acting". [37] Hodges' original working title for the film was Carter's The Name. [115] Michael Caine appears as Cliff Brumby in what Elvis Mitchell described as "a role that will increase regard for the original", speculating that "maybe that was his intention". Brumby identifies Kinnear as being behind Frank's death, also explaining that Kinnear is trying to take over his business. Get Carter had to make do with ambivalence". Despite this, the release was given a five-star review in Empire, where it was described as "one of the best British films of the 70s". Hawkins' name can be seen on the poster outside the club before Thorpe runs inside, and the band can faintly be seen on stage as Thorpe enters the club. Hodges said in 2002 "Carl and credits don't seem destined for each other". Among those trying to "get Carter" is Con (John C. McGinley), another enforcer from Las Vegas.GET CARTER is the second remake of the bleak and gritty 1971 British thriller of the same title. N'T believe the critics this movie a much more socially conscious film than any of its modern.... [ 122 ] [ 51 ], principal photography took place in Empire 's top fifty videos the!, see, 1971 Mike Hodges ( get carter 2 ), Michael Caine, Ian,! 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